LaToya Ruby Frazier wins the Kraszna-Krausz Photobook Award
British Journal of Photography
By: Marigold Warner
The American photographer’s eponymous book on poverty, racism, and the human cost of post-industrial decline wins the 35th annual award.
LaToya Ruby Frazier is an artist, educator and activist who blends fine art and documentary, employing a participatory approach to storytelling to campaign for social justice. “I use my photographs as a platform to… create visibility for people who are on the margins, who are deemed ‘unworthy’,” said the photographer, whose commitments include campaigning for environmental justice, widening visual representations of working class communities, and promoting access to healthcare, education and employment.
Today, Frazier is awarded the 35th annual Kraszna-Krausz Photobook Award for her eponymous book, which was published to accompany her 2019 exhibition at Mudam museum in Luxembourg. LaToya Ruby Frazier was among three shortlisted publications for the award, and will receive a showcase in a live-streamed event hosted in partnership with The Photographers’ Gallery on 30 September.
I use my photographs as a platform to advocate for social justice and as a means to create visibility for people who are on the margins, who are deemed ‘unworthy’
– LaToya Ruby Frazier
The book was selected for its historical legacy and “magazine-like production values.” Providing a commentary on poverty, racial discrimination and the human cost of post-industrial decline, it presents three of the photographer’s major series. The Notion of Family (2001–14) explores the legacy of racism and economic decline in America’s small towns, as embodied by Frazier’s hometown of Braddock, Pennsylvania. On the Making of Steel Genesis: Sandra Gould Ford (2017) explores the life and work of artist Sandra Gould Fold, who Frazier first met in 2015. The artists soon realised their connection as Black women artists from Pennsylvania, interested in working class issues, and discovered that they once lived in the same apartment building, the Talbot Towers in Braddock — Ford as a newlywed and Frazier as a newborn. The resulting project brings together their work in conversation. Lastly, And From the Coaltips a Tree Will Rise (2016–17) focuses on the residents of Borinage, a Belgian mining region whose intense activity in the 19th century was diminished by a series of crises that led to the closure of the last mine in 1976.
[…]
Purchase exhibition catalog: MUDAMstore.com
Courtesy of: British Journal of Photography
