Robert Rauschenberg Foundation welcomes LaToya as an artist-in-residence

The Rauschenberg Residency is a creative center that welcomes artists of all disciplines from around the world to live, work, and create. The residency is located on Robert Rauschenberg’s former property on Captiva Island, Florida, where he lived and worked for nearly four decades. The facility, which includes the 8,000-square-foot studio Rauschenberg built in 1992 and a collection of historic homes and studio spaces, is infused with beauty and tranquility and marked by its unique history.

Robert Rauschenberg. Captiva, Florida, 1979

Rauschenberg in front of the Fish House, Captiva, Florida, 1979. Photo: Terry Van Brunt

The Robert Rauschenberg Foundation launched the residency program in 2012–13 with a series of five pilot residencies that served to inform and shape the program. There are up to seven five- and six-week residencies a year that serve over seventy artists and other individuals of exceptional talent and promise.  Selectors anonymously identify artists and creative thinkers from a diverse mix of disciplines, backgrounds, ages, and career levels, who are interested in working in an interdisciplinary environment and are open to the idea of collaboration.

Rauschenberg Residency 26: June 5 – July 7, 2017
Abigail DeVille
Adrienne Edwards
John Hoobyar
Skylar Fein
LaToya Ruby Fraizer
Yve Laris Cohen
Conor Kolk
Rodney McMillian
Ebony G. Patterson
Will Rawls
Naoko Wowsugi

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Courtesy of: The Robert Rauschenberg Foundation

Othering & Belonging Conference

“Right now our work building and sustaining a society centered on inclusion is more essential and urgent than ever.”

April 30 – May 2, 2017
Oakland Marriott City Center
1001 Broadway
Oakland, CA 94607

Widespread Othering has led to a host of challenges in our world today, including territorial disputes, toxic levels of economic inequality, military intervention, the closing of borders, forced migration, and climate change. As hate, ultra-nationalism and xenophobia continue to deepen and harden across the world, the need to challenge Othering is more urgent than ever. We must not only understand the underlying structural dynamics that gave rise to these forces, we must also protect our communities that are targeted and made vulnerable by them as well.

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Downing Pryor Distinguished Visiting Lecturer

LaToya Ruby Frazier
April 18 @ 6:00 pm – 8:00 pm
Free

MCA’s 2017 Downing Pryor Distinguished Visiting Lecturer is LaToya Ruby Frazier, an internationally recognized photographer and a 2015 MacArthur Fellow. Frazier works in photography, video and performance to build visual archives that address industrialism, rustbelt revitalization, environmental justice, healthcare inequity, family and communal history. Frazier received the International Center for Photography Infinity Award in 2015 for her book The Notion of Family (Aperture 2014). Frazier has exhibited widely around the United States and internationally at venues including the Brooklyn Museum, Seattle Art Museum, Institute of Contemporary Art in Boston, Massachusetts, the Whitney Museum of Art in New York, and the Contemporary Arts Museum Houston.

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POWER curated by Todd Levin at Sprüth Magers, Los Angeles

Work By African American Women From The Nineteenth Century To Now

Sprüth Magers, Los Angeles, is proud to present POWER, an exhibition curated by Todd Levin that surveys the work of African American women artists from the nineteenth century to now. Titled after the 1970 gospel song by Sister Gertrude Morgan, the exhibition begins with artists born soon after the Civil War and continues to the present, weaving together fine and folk art traditions to explore how artists have engaged issues of race, gender, and class against our evolving cultural and artistic landscape. The 37 artists in POWER draw into focus their struggle to establish themselves as equal players on the uneven field of the American republic.

March 29 – June 10, 2017

Public reception: March 28, 2017, 6 – 8pm
Opening hours: Tuesday – Saturday, 10am – 6pm

Work by: Beverly Buchanan, Elizabeth Catlett, Sonya Clark, Renee Cox, Njideka Akunyili Crosby, Karon Davis, Minnie Evans, Nona Faustine, LaToya Ruby Frazier, Ellen Gallagher, Leslie Hewitt, Clementine Hunter, Steffani Jemison, Jennie C. Jones, Simone Leigh, Julie Mehretu, Sister Gertrude Morgan, Senga Nengudi, Lorraine O’Grady, Sondra Perry, Howardena Pindell, Faith Ringgold, Betye Saar, Joyce J. Scott, Emmer Sewell, Ntozake Shange, Xaviera Simmons, Lorna Simpson, Shinique Smith, Renee Stout, Mickalene Thomas, Alma Woodsey Thomas, Rosie Lee Tompkins, Kara Walker, Meta Vaux Warrick Fuller, Carrie Mae Weems and Brenna Youngblood.

With selected Works from The Ralph DeLuca Collection of African American Vernacular Photography

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Fred and Laura Ruth Bidwell Lecture

LaToya Ruby Frazier

March 23, 2017, 6:00 pm
FREE – Seating is limited

LaToya Ruby Frazier, a contemporary Chicago-based photographer and the 2017 recipient of the Akron Art Museum’s Knight Purchase Award, will visit Akron to present the Fred and Laura Ruth Bidwell Lecture at the Akron Art Museum.

Akron Art Museum
For Frazier, art is a catalyst for social justice. Her photographs and videos document America today: post-industrial cities riven by poverty, racism, healthcare inequality and environmental toxicity. Bridging personal realities with broader social issues, her haunting artworks amplify the voices of the most vulnerable and transform our sense of place and self. Frazier’s first book, The Notion of Family, received the International Center for Photography Infinity Award. Frazier has received the John D. and Catherine T. MacArthur Foundation Fellowship and the John Simon Guggenheim Memorial Foundation Fellowship. Her work has been exhibited widely in the U.S. and internationally.

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Musee Magazine Interviews LaToya Ruby Frazier for Women’s History Month

LaToya Ruby Frazier A Lived Experience

Describing a picture of yours from A Haunted Capital, you said that you watched The Cosby Show as a kid in order to escape the reality of your dismantled working-class family. When did you come to terms with the truth and what led you to embrace and document it?

“I was always aware of my plight and displacement. I am from an area known as “the bottom.” Braddock is on an incline, the further you are up the hill the higher your social and economic status. Through my Grandma Ruby’s discipline I learned that my only way up was through my education, academically and creatively. When I met my photography mentor Kathe Kowalski at Edinboro University of Pennsylvania, she encouraged me and taught me the value in making work about Braddock, my grandmother, mother and myself. All of these things led to my embracement to produce the work.”

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LaToya Ruby Frazier Photo: Bret Hartman/TED

Portrait by Bret Hartman
Interview courtesy of Musee Magazine