Moveable Feast

Aperture Foundation, 2010 – 2011
NYC Green Cart Program Commission

Moveable Feast: Fresh Produce and the NYC Green Cart Program
Mar 22 — Jul 10 2011
Museum of the City of New York

commission

Artist Statement

I set out to document encounters with the Green Carts’ owners, workers, and customers. I was looking for how the presence of a mobile food cart can generate human connectivity on the street and also at the relationship between people and fruits and vegetables. After studying the list of Green Cart locations, I began mapping out the neighborhoods. I learned right away that most Green Cart vendors know exactly where other Green Cart vendors are located and can point you in the right direction.  I would spend three to fours hours at each Green Cart before I would start shooting to learn the Green Cart workers’ schedule, their regular customers and the highest point of the day when fruit was sold.

Over time, I learned that the workers at the Green Cart are not always the owners, that they encounter fierce competition for business with other nearby vendors, that there are constant worries about health department code violations and fears of harassment from the New York City Police.

It’s funny how vendors are visibly outside on the street working sunrise to sunset and sometimes twenty-four hours a day, but some how they remain invisible.

— LaToya Ruby Frazier

Panelist at The New School

Confounding Expectations: Revisiting “In, Around and Afterthoughts on Documentary Photography”

Wednesday, November 3, 2010 – 7:00 to 8:30 p.m.
The New School, Tishman Auditorium
66 West 12th Street

Aperture Foundation, the Photography Program in the School of Art, Media and Technology at Parsons and the Vera List Center for Art and Politics present a panel entitled Contemporary Documentary Practices, as part of the ongoing series, Confounding Expectations: Photography in Context.

Martha Rosler’s seminal critique of documentary photography in the 1981 text In, Around and Afterthoughts on Documentary Photography, this panel explores the viability of documentary practices today, both within the contemporary art realm and in the larger context of visual culture. In the 1981 text, Rosler claimed that documentary photography has yet to be realized in its full potential. Moving from a direct critique of documentary photographic practices, many contemporary photographers are utilizing art strategies to initiate and maintain social and political engagement through the use of the photographic medium. This discussion aims to examine photography’s ability to fostering social change in the contemporary moment and in generating a discussion about the importance of institutional and discursive framing in determining photographic meaning.

Moderated by Susan Bright, panelists include LaToya Ruby Frazier, Chris Verene, and Michael Wolf.

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“Inspired” at Steven Kasher Gallery

Woodlawn Street, Braddock, PA, 2010 (After Helmut Newton 1975)
Commissioned Collaboration with photographer Brian F. Henry
Inspired exhibition at the Steven Kasher Gallery, Chelsea, NYC