What the Art World Can Learn From Women’s Basketball
"I met LaToya through the Gordon Parks Foundation in 2023, the year that I was honored at their gala. In my remarks, I talked about how I was motivated to follow Parks’s example in using art and storytelling to bring visibility to the WNBA. That resonated with LaToya because she is a former basketball player and has always wanted to tell their stories. When we met, we quickly discovered our shared passion for basketball and uplifting women athletes." —Clara Wu Tsai, New York Liberty Owner
Read more • Full article by Sophia Cohen on Cultured Magazine
The End of the Line: What Happens to a Factory Town When the Factory Shuts Down?
The New York Times
Photo Essay and Interviews by Latoya Ruby Frazier
,Frazier’s photo-essay and interviews, featured in the recent Money issue of The New York Times Magazine, is an incisive collaboration with a labor union, United Auto Workers Local 1112 in Lordstown, Ohio.
Courtesy of: The New York Times
What a Picture From the Sky Reveals About Oppression
Special Issue from The Atlantic
Fifty years after the assassination of Martin Luther King Jr., The Atlantic commemorates his life and work—and reflects on the reality of today’s America through the prism of his vision.
The Atlantic’s new special issue takes the reader from King’s development as a young activist to the building of his campaign against what he called the “three major evils” of society: racism, poverty, and militarism.
The Geography of Oppression
Martin Luther King Jr. was assassinated in Memphis, Tennessee, but his death reverberated across the United States. To this day, the 1968 Holy Week Uprising influences the human geography of some cities, shaping how poverty and dysfunction concentrate in black neighborhoods.
Memphis did not feel the full flames of riots in April 1968, in part because of King’s nonviolent organizing apparatus. But his spirit was not enough to hold back the tide of despair and violence that brought millions of dollars of damage to other major metropolises, including Baltimore and Chicago. Still, King’s assassination has influenced how these cities are physically structured, from the gutting of urban neighborhoods to the memorializing of the civil rights leader in monuments, streets, and schools.
Using a helicopter and aerial photography techniques available in 1968, LaToya Ruby Frazier revisited Memphis, Baltimore, and Chicago to explore how they have responded to five more decades of oppression.
Contributors include:
Dr. King’s youngest child, Bernice King, who wrote the issue’s introduction
Jesse Williams and John Legend on the intersection between art and activism
MacArthur fellows Matt Desmond, Jesmyn Ward, and LaToya Ruby Frazier
Representative John Lewis, who marched with King in Selma
Historian Jeanne Theoharis on Coretta Scott King and the hidden women of the movement
Voices from The Atlantic’s archives, including Stokely Carmichael, Jonathan Kozol, and Archibald MacLeish
Available for purchase from The Atlantic
And From The Coaltips A Tree Will Rise
New catalogue of work by LaToya Ruby Frazier.
A 2016 residency at MAC’s Grand-Hornu (Museum of Contemporary Arts) allowed LaToya to pursue work on a post-industrial society in Belgium. Her focus was the Borinage, a mining region whose intense activity in the 19th century was diminished by a series of crises that led to the closure of the last mine in 1976. Testimonies gathered by Frazier from the former miners and their families have resulted in And From The Coaltips A Tree Will Rise, an extensive collection of portraits, landscapes and still lifes.
Available for purchase on Amazon, Barnes & Noble and Artbook | D.A.P.
Paperback: 160 pages
Publisher: MAC’S Grand Hornu (Museum of Contemporary Arts, Belgium)
Date: September 26, 2017
Language: English
ISBN-10: 2930368705
ISBN-13: 978-2930368702